If a good mix should be able to rely on good recordings, olive tree ocean beach it also depends gre

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If a good mix should be able to rely on good recordings, olive tree ocean beach it also depends greatly on the decisions olive tree ocean beach that are made at this stage. The choice of microphones and their placement are all factors that will influence the project even before the liquidiser pulls EQ, compressors and reverbs to mix the tracks into a coherent whole. News Media Articles Tutorials & Tips Forums <Topic list
Hello! I wanted to know what reverb, etc. what kind you used on reggae? For drums? the voice? the skanks ... Also what do you use delay? how you grade the delay? How do you manage passages dub live? t enstudio? For example, I have a hall on drums and ungrateful After a room on voice and skanks I also have a stereo delay I index the triplet tempo. For apssages dubs on snare drums, I put a Big Plate!
4 Posted on 15/10/2009 at 5:08:13 p.m.
Regarding the delay I'm happy with the boss re-20. We must be careful to adjust the levels when using signals with levels lines. It can function send, which is ideal for use with a mixer using the knob send to send a particular olive tree ocean beach channel to the effect. can be very easily on the feedback to keep the delay to saturation (as long as you have calibrated levels before). I have not yet tested the reverb olive tree ocean beach of the re-20 on the snare, but appears to have enough twang to make snares to the king tubby. This pedal also works very well on the keyboard and guitars. I use the optional foot pedal to adjust the feedback between two repetitions and infinity. I set the tempo in the third using the tap tempo. We can act in real time on the web speed and play with the effects of conventional pitch of delay as a band on this piece from 4min10 olive tree ocean beach http://www.youtube.com/watch?v=NGU_JJroVms. In short this delay really has everything you need for live or studio dub.
enrome the last link !! I had never tried the spring example coool !! Otherwise, who knows the effects Dub Incorporation used on voice? (I mean this ultra stylish echo you hear in all live tracks, one had less on studio versions) olive tree ocean beach
For my part I know not too dub inc because I'm not a fan of their prods. I am bit old Jamaican dub period Tubbys olive tree ocean beach and perry but also digital dub in English, I myself digital dub. There are a lot of effects used in the prod dub. After all depends on what you like budget, what you want to do as a style of reggae and old school or digital etc. But in any case the most commonly used there: DELAY: All racks Boss old (DE-200 and PSR10 etc.). The delays space (belt) with Dynacord Echocord, Roland RE-101, 201, 501, the maestro echoplex (this qu'utilisait King Tubby's). You also have the Klemt Echolette. All tape delays are quite expensive and blow a lot compared to the Boss, but what a sound! Boss also made a reissue of the re-201 pedal, called RE-20 here, from what I've heard it's not bad. REVERB: Did you several choices for the voice, I'm not sure if the spring reverb works well. Perhaps a reverb too dosed with a